One of the most important family legacies in Croatian history is to be presented with over 700 different museum artefacts which testify to the role of the Jelačić family in a wider social and historical context. The commanding figure of Duke Josip Jelačić is analysed as well as how he was criticised and later turned into a cult figure and a symbol of Croatian independence. [...]

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Urban art entwines with a legend! An exhibition by six street art artists:  Marko Zets Prpić (Zagreb), Filip Morka Burburan (Rijeka), Aleksandar Angel Milivojević (Beograd), Ronald Aleksander Lindgreen (Den Haag), Flying Fortress (Hamburg), Slaven Lunar Kosanović (Za [...]

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The exhibition Iconography of a City will fill 14 halls on the first floor of the gallery with 200 masterpieces by Croatian artists. Urban themes and city motifs in oils, sketches and graphics, on posters and on photographs are the artistic foundation on which we have built the interdisciplinary character of this exhibition (history, literature, film, music, architecture and more). A range of supporting cultural events will be held at the opening and throughout the duration of the exhibition: dance performances, film screenings and book promotions; while professional guides for all target groups will be organised, along with children’s workshops and other cultural activities.
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Over 200 gouaches and sketches with chilling subjects such as “Skeletons” and “Wires from the Prison Camp” drawn from the last war in Croatia will be on show for the first time in the Art Pavilion from 28 February to 11 April. Murtić also uses media such as billboar [...]

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Where would the 20th century art scene be without this famous British tandem who has been working together since 1967?  Their exhibition called Gilbert & George Jack Freak Pictures moves the boundaries of art whilst remaining true to what they’ve always been − living sculpture& [...]

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Contemporary Croatian artist Kristina Leko along with David Smithson has produced ha multi-channelled video installation focusing on America. In its own tedious way it ironically and critically questions the global fascinations of our time with the USA as the focal point. [...]

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