One of the most thrilling Croatian artists to emerge in recent years is the Šibenik-born Lana Stojićević. Her photographs directan ambiguous and unsettling gaze towards an Adriatic coast that we normally associate with happy beach holidays. Nominated for the prestigious Radoslav Putar art prize in 2021, Stojićević has become celebrated for a series of works that provide oblique commentary on the uncontrolled growth of vacation houses along the shore. In her 2018 series Fasada she photographed herself wearing an outlandish pink costume made in imitation of a coastal holiday villa. It continued a theme visited in earlier projects Villa Rosa and Parcela, in which modern apartment developments were reimagined as models, toys or cakes.Stojićević has already been feted by the foreign media for Sunny Side, an arresting series of photographs involving the futuristic swimming pool of the Hotel Zora in Primošten. Using both the real pool and models of it reconstructed to look like a flying saucer, Stojićević’s photographs suggest a sci-fi scenario that plays eloquently on the modernist aspects of the Adriatic landscape.