Arguably the greatest painter that Split ever produced, Emanuel Vidović (1870-1953) was a master of the symbolist city-scape, known for his scenes of Split, Trogir, Venice and elsewhere. This large career-spanning exhibition (already shown to a huge public at the Art Pavilion in Zagreb) provides a rare chance to see pictures and sketches which come from collections outside Split, and haven’t been seen before in Vidović’s home city. The title refers to Vidović’s ambiguous place in art history, drawing inspiration from both traditional painting and the avant-garde.