Two floors of exhibition space is required to present all phases of Dimitrijević’s international works combining installations, photography, video, paintings and sculpture; all of which have passed the world's greatest museums. See his Casual Passer-by series (1971), Tryptichos Post Historicus (1982), or his cage installations at the Paris Zoo seen by over one million people. This is a true to honour to one of the pioneers of world conceptual art!