Stanisław Dróżdż is a pioneer of concrete poetry in Polish art. Concrete poetry, often referred to as visual poetry,  is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. The works created by Dróżdż, consisting of single words, letters or numbers, with time began to go beyond the plane of a sheet of paper, becoming complex spatial installations. The artist would often cover the entire room interior with single letters constituting one word. As the viewer entered the room, he would find himself inside the text. The reconstruction of the installation in the Wrocław Contemporary Museum has been adapted to the museum space and recreated according to the artist's instructions.