A non-commercial collaborative space, the centre brings together artists, musicians, poets, dancers, actors and filmmakers who all work in the city of Joburg. The Centre for the Less Good Idea's aim is to support experimental, collaborative and cross-disciplinary arts projects and give artists the breathing space to try out new things.
The 'less good idea' is explained thus by its founders; "Often, you start with a good idea. It might seem crystal clear at first, but when you take it to the proverbial drawing board, cracks and fissures emerge in its surface, and they cannot be ignored. It is in following the secondary ideas, those less good ideas coined to address the first idea’s cracks, that the Centre nurtures, arguing that in the act of playing with an idea, you can recognise those things you didn’t know in advance but knew somewhere inside you."
Each season a new cast of collaborators is assembled to produce a brand new series of performances that stretches out over several days.
The Centre for the Less Good Idea - Season Five
Tickets for performances can be booked via the Centre of the Less Good Idea website. Performances take place at the Centre of the Less Good Idea at Arts On Main in Maboneng.
Wed Apr 24 and Thu Apr 25 at 18:30
Programme 1: Imposter Syndrome | King-Dom Crossroads | Godot-logue in Gauteng | Carriage of Mother
Themes: Tension, synchronicity, co-dependency and satire
The evening's programme opens with Imposter Syndrome, a satirical take on news broadcasting and children’s TV shows that borrows from the traditions of puppetry and stand-up comedy, followed by King-Dom Crossroads, a physical work that unpacks the ideas of tension, struggle, aspiration, and synchronicity in human relationships. Godot-logue in Gauteng is a short sharp take on Waiting for Godot set in Joburg and told through sonic and text-based means, while Carriage of Mother is a stripped down reimagination of Brecht's Mother Courage set in a South African context. The programme ends with Sybil, a hyper-refined and condensed version of the epic opera retold through, musical, physical and visual methods.
Wed Apr 24 and Thu Apr 25 at 20:00
Programme 2: Thabang | 11 Minutes Before Assassination | To Sit…To Hold…O Itibetse:- Allow, Taba di Matlhong…Go Thata Banna; The Moment. Vuma – Nothingness…When All Else Fails… | I See You! | Crash Lament
Themes: The nature of performance, the language of trauma, and the power of the spoken word
There are six performances on the second programme starring more than a dozen local performance artists, actors, professional dancers and storytellers including Lulu Mlangeni, Sylvaine Strike and Nhlanhla Mahlangu. Performances include 11 Minutes Before Assassination, which takes audiences through the suspenseful and complicated moments before an assassination and I See You! a study of the complex nature of the father-son relationship explored through music and movement.
Fri Apr 26 and Sat Apr 27 at 18:30
Programme 3: Thirst | Minute a Thought | Instructions for playing a single note | Nonqawuse | Plunge Avatar
Themes: Time, water, and physicality – those ever-shifting elements of our daily lives.
Director and choreographer David Thatanelo April and dancer Phumlani Mndebele explore the yearnings for things both lost and found in Thirst, while in Minute a Thought knowledge, heritage, and the heavy weight of time are rendered through physical theatre. In Instructions multimedia sound artists explore the possibilities of improvisation and haphazard composition while Nonqawuse, documents the life of a prophetess whose story has not always been treated kindly throughout history. The programme closes with Plunge Avatar which brings together the written word and physical performance to investigate the relationships between the body, gravity and the mind.
Fri Apr 26 and Sat Apr 27 at 20:00
Programme 4: Escape | Cwaka | The Black Clown | "And in it goes to lose its sense and find its soul" | Commission Continua
Themes: Traversing the landscapes of history, culture, politics, madness, and more.
This programme is packed with theatrical and physical performances with actors, directors, writers and performers such as comedian Jefferson Tshabalala, actor and playwright Tony Miyambo and contemporary dancer Sonia Radebe starring.
The programme opens with Escape, a tight and compelling thriller based on a man who, in the fight for justice, makes the ultimate sacrifice. In Cwaka Miyambo, Tshabala and Siyabonga Mthembu (from renowned musical collective The Brother Moves On) unpack ancestry, culture, and contemporary spirituality through hip-hop, theatrical performance and parody, while Commission Continua, uses archival texts and recordings, the voice, the body, and more to trace the purpose, history, and landscape of South Africa’s various commissions of inquiry.
Sun Apr 28 at 13:00
Things Fall Together
British-Zimbabwean singer-songwriter Netsayi Chigwendere and her long-time collaborators Ray Mupfumira and Collen Tom bring a multimedia, music-based, and Zimbabwe-centric show to the Centre that communicates various histories and lived experiences, exploring the deep shared history that exists between Zimbabwe and South Africa.
Sun Apr 28 at 15:00
Created especially for Season 5 BAPA is a new original collaborative work by musical composer and producer Ntsika ‘Fana Mayiza’ Ngxanga, choreographer and producer Teresa Phuti Mojela, and writer and actor Billy Edward Langa. BAPA employs live music, text, and physicality to explore themes of identity, ancestry, spirituality and contemporary connectivity.