
The exhibition also includes Travertinsäulen Recyclingpark Neckartal, a series documenting monumental stone columns originally commissioned in 1936 for a Nazi monument in Berlin that was never built. By photographing these abandoned structures in their current surroundings near Stuttgart, Kelm reveals how objects shaped by ideology can outlive the regimes that created them. Together, the two series examine the relationship between photography, material culture and the ways societies remember—or attempt to erase—the past.