05 Jan 2018

It may seem unlikely but Łódź is Poland’s answer to Tinseltown. Stop sniggering at the back: having produced directors like Wajda, Polański and Kieślowski the Polish Hollywood has made an undeniable impact on world cinema.


The story starts in 1948, with the foundation of the National Film School. With Warsaw lying in ruins, the capital's major opera, theatre, and other miscellaneous artist groups found themselves decamping to the nearest large city: Łódź. Suddenly home to Poland’s principal actors, performers and directors, the decision to base the country's first film school here may seem odd today, but at the time was completely natural.

From its early beginnings the school had two distinct departments: film direction and cinematography. Initially the curriculum was limited to simple group productions, but soon films directed by individuals started to become the norm, all filmed using 35mm industry-standard cameras. Among the first batch of students were Andrzej Munk and Andrzej Wajda, the latter scooping an honourary Oscar in 2000 for his career achievements in film. In an era dominated by Big-Brother-is-Watching-style paranoia the school became a haven for the avant-garde, and the small screening rooms would regularly pack out not just with students, but the rank and file proles looking to enjoy the latest European cinema. It was in this liberal climate that the school also proved to be the first place in Poland to host jazz jam sessions, officially outlawed by the communist authorities.

The Wajda generation would go on to shape Polish film with a series of edgy films taking a heavy influence from the Italian neo-realists. The films produced in the late 1950s were in direct opposition to official guidelines, and films like Wajda’s Ashes and Diamonds used screen talents like Zbyszek Cybulski, a charismatic, hot-wire actor often labelled 'The Polish James Dean.' Roman Polański entered the school in 1954, and four years later propelled the school to international fame when he won an award at Expo 58 (The 1958 Brussels World's Fair) for his film Two Men and a Cupboard. Alas the golden years soon proved to be numbered.


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